From the 27th of February to 3rd of March 2023, EVS, Boulogne-Billancourt (Paris), France

LIVE Sports Direction

Delivered in French from the 27o February – 3 March 2023, the ‘Live Sports Direction’ course took place in Boulogne-Billancourt (Paris).

 

The ‘Live Sports Direction’ course incorporates the essence of HBS’s experience of working on world-class sporting events and uses state-of-the-art EVS broadcast technology that replicates an outside broadcast environment to replace expensive production infrastructures.

Course Details

Venue: EVS, Boulogne-Billancourt (Paris), France
Date: From the 27th of February to 3rd of March 2023
Number of places: 10
Duration: 5 days
Course Fee: 3,000 Euros

How to Apply: Please fill out the registration form listed at the bottom of the page by clicking on the following button.

*In case of non-participation, we follow a non-refund policy, for avoidance of doubt in case of non-participation no refund will be done by Broadcast Academy to the user. If Broadcast Academy cancels the course, participants are entitled to a full refund.

 

 

Course Information

The ‘Live Sports Direction’ course incorporates the essence of HBS’s experience of working on world-class sporting events and uses state-of-the-art EVS broadcast technology that replicates outside broadcast environments to replace expensive production infrastructures.

This objective of this training is to benefit those who would like to take on the lead role in Sports Direction, practice the art of storytelling, and handle different camera formations. The theoretical and practical aspects of the course aim to encourage and develop the expertise and creativity of participants. The course focused on football, tennis and rugby.

 

 Course Objectives

  • To adopt the best practice for sports storytelling across slow motion and replays in football, tennis and handball
  • Understand the use of different cameras in a live sports production
  • Develop the ability to undertake medium to large productions
  • Understand various roles in a production team and work effectively as a team
  • Able to effectively use the configured EVS XT3 and X-One

 

Eligibility

  • Aimed at those entering the field of sports directing and replay operations
  • Prior work experience in the field of broadcasting
  • Possess an understanding of the laws of different kinds of sports
  • Have a general technical understanding of the use of various broadcast equipment in live directing

 

Sample Course Plan

Note: The below course agenda is for reference purposes only.

Day 1:  Theory & Practise

  • Fundamentals of multi-camera live sports production in Football-Operations, Personnel & Equipment
  • Team leader & communicator. Prior to the OB – site visit, camera positions, etc.
  • Cameras cutting & story telling
  • Match Coverage philosophy
  • Introduction to the Live TV Simulator
  • Practise sessions on the Live TV Simulator using production switcher and EVS replay system. Direct a football match using 4-6 cameras
  • Case Study: Review a football match, create a camera plan and explain their philosophy of directing/storytelling of some major incidents

 Day 2: Theory & Practise

  • Fundamentals of multi-camera live sport production in Tennis-Operations, Personnel & Equipment
  • Camera Plans & Camera Work
  • Production Guidelines – Pre-Match, Players Entrance, Graphics, Game Start/Service, Ball Exchanges, Reactions
  • Cameras cutting & story telling
  • Match Coverage philosophy
  • Replays
  • Practise Session on the simulators: Direct a Tennis match

 Day 3: Practise

  • Practise session on the Live TV Simulator session and EVS replay system ─ Direct a Tennis match

Day 4: Theory & Practise

  • Fundamentals of multi camera live sport production in Rugby-Operations, Personnel & Equipment
  • Camera Plans & Camera Work
  • Production Guidelines – Pre-Match, Players Entrance, Graphics, Game Start/Service, Ball Exchanges, Reactions
  • Cameras cutting & story telling
  • Match Coverage philosophy
  • Replays
  • Practise Session on the simulators: Direct a Rugby match
Day 5: Practise & Conclusion

  • Practise Session on the simulators: Direct a Rugby match
  • Trainer feedback to all participants
  • Evaluation of the session, certificates distribution & closing ceremony

Our Experts

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Laurent Lachand, Sports Director

A highly experienced director, active since 1997, he was selected as one of the seven directors for the 2002 FIFA World Cup Korea/Japan™. A director at both the FIFA Women’s World Cup Canada 2015™ and UEFA EURO 2016 France, his most recent international accomplishment was to direct the Final of the FIFA Confederations Cup Russia 2017 between Germany and Chile and several matches of the 2018 FIFA World Cup Russia™. In the years between his FIFA World Cup™ missions, Laurent works extensively in UEFA club competition and French domestic football coverage.

 

 

 

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Laurent Daum, Sports Director

With nearly 20 years of directing rugby matches for top-flight competitions, such as the Le Championnat de France Elite (French Elite One Championship), Laurent’s experience includes more than 50 rugby games a season, 18 finals and 14 play-off matches. Employing his techniques – including camera placement – he aims to tell the story of the match to TV audiences as if they were sitting in the stands. Along with his extensive background of directing rugby matches, he has been a sports director for Canal+ since 1992. His directing experience includes football, basketball, handball, boxing, volleyball and tennis.

Other eminent broadcast directors would be invited to hold sessions and share their experiences and viewpoint.

The Professional Equipment

Live TV Simulator XT3

Based on EVS technology, the XT3 Live TV Simulator is a tool to re-create the experience of live direction within a controlled environment. It includes two EVS XT3 live video servers with two remotes and an IP director – enabling up to 12 ISO camera feeds in High Definition 1080i format for ingest/playout, instant replay and slow-motion tools and a Dyvi live video switcher. The system allows a single production operator to create replays, control audio, cut together a live feed with a built-in video switcher and even add graphics to live programming.

X-One

The X-One enables up to 6 ISO camera feeds in High Definition 1080i format for ingest/playout. Based on EVS technology of X-One, the Unified Live Production Simulator can import any other media files. X-One features a contextualised user interface (UI) that adapts to the type of production on which it is deployed. This allows a single operator to manage graphics, audio and replays with ease.

Financial Support

These courses are subject to AFDAS funding. For information on AFDAS, please contact: remi@omneo-solutions.com

Scholarships are offered to women from the broadcasting field to further their career in the sports broadcast industry. For more information, please contact us at: info@broadcastacademy.net.